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Oil or canvas printA senior artist of our collective in Binh Thanh, Ho Chi Minh City, paints each oil painting to order. Canvas prints are printed, not painted.
2 to 4 weeksYou receive a photo of your oil painting before it ships and can ask for corrections.
100% satisfactionFree worldwide shipping. Your artwork arrives safely packaged.
5 to 7 business daysYour oil painting is only started once you order it, and one of the collective's senior artists paints it by hand in Binh Thanh, Ho Chi Minh City.
The archival canvas print shows the same image, printed rather than painted, so its surface is flat. Both versions come rolled, on a wooden stretcher, or framed.




The painting centres on a two-storey gate with curved tiled roofs, red wooden pillars and gilded panels under the eaves. Weathered ochre walls run away from it on both sides, their surface worn and patchy.
In front, a paved stone path leads to the doorways. Potted bonsai trees sit among low green hedges, and a flowering tree with small white blossoms stands beside the path. A few figures in long tunics walk near the entrance, small against the gate.
The sky is amber and peach with pale blue at the top, and a warm glow settles on the roof tiles and the stone. Green trees rise behind the walls and keep the scene calm rather than loud. The brushstrokes are loose and visible, most of all in the wall and the sky.
The terracotta red of the gate is the strongest note, balanced by moss green in the bonsai and hedges. This pairing suits a cream, warm white or soft grey wall. The square format and the earthy palette sit well in a study or a dining room, where the red gate can be the one warm accent.
Yes, a few small figures in long tunics walk near the gate. They are kept small and simple, so they add scale to the gate without drawing attention from it.
Potted bonsai trees with rounded green crowns sit among low hedges, and a tree with small white blossoms grows beside the path. The greens are muted and sit comfortably against the stone.
The ochre walls look aged, with patchy, uneven tones and soft edges. That gives the stone a lived-in feel and contrasts with the cleaner red of the gate.
Yes. The paving is shown as irregular slabs in grey and tan, with moss green creeping in along the edges, and it leads the eye toward the gate.
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