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Oil or canvas printA senior artist of our collective in Binh Thanh, Ho Chi Minh City, paints each oil painting to order. Canvas prints are printed, not painted.
2 to 4 weeksYou receive a photo of your oil painting before it ships and can ask for corrections.
100% satisfactionFree worldwide shipping. Your artwork arrives safely packaged.
5 to 7 business daysYour oil painting is only started once you order it, and one of the collective's senior artists paints it by hand in Binh Thanh, Ho Chi Minh City.
The archival canvas print shows the same image, printed rather than painted, so its surface is flat. Both versions come rolled, on a wooden stretcher, or framed.




The bowl of pho fills the centre of the canvas. Slices of beef lie on pale noodles in a golden broth, topped with green onion rings and a few red chilli pieces. A white spoon rests inside the bowl and two wooden chopsticks angle across its right rim. Thin white steam rises from the surface.
To the left sits a plate of basil leaves, pale bean sprouts and three green lime wedges. At the right edge, a jar with an amber liquid and a metal lid stands on a small saucer.
The table is built from broad, flat strokes of amber, orange, cream and dark red, left visibly separate. The bowl carries streaks of blue and lilac in its white glaze. The colour is warm in the foreground and cooler in the street, where blue grey reflections run across the wet road.
The view is set low, at table height, so the pho dominates and the street recedes. Behind it a woman in a red top and several men in blue shirts eat at a long wooden table. Beyond the open front, two riders on motorbikes pass under red and orange lanterns.
This depth gives the painting a clear order: food, then diners, then street.
The amber and red palette suits a dining room, kitchen or restaurant wall, where the subject speaks for itself. The landscape format gives the long table and the street room to spread, so it works well on a wide wall with soft or warm light.
The bowl holds beef slices on pale noodles in golden broth, with green onion rings and red chilli on top. A white spoon sits inside, and steam rises from the surface.
The plate holds green basil leaves, pale bean sprouts and three lime wedges, set at the left of the table.
Anonymous diners eat at a long wooden table: a woman in a red top, and men in blue shirts, some holding chopsticks. Beyond them, riders pass on motorbikes.
Amber, orange and deep red fill the table and lanterns, while blue grey tones appear in the wet street and the glaze of the bowl.
Yes. The warm palette and the food subject suit a dining space, and the landscape format carries the table and street across a wide wall.
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