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Oil or canvas printA senior artist of our collective in Binh Thanh, Ho Chi Minh City, paints each oil painting to order. Canvas prints are printed, not painted.
2 to 4 weeksYou receive a photo of your oil painting before it ships and can ask for corrections.
100% satisfactionFree worldwide shipping. Your artwork arrives safely packaged.
5 to 7 business daysYour oil painting is only started once you order it, and one of the collective's senior artists paints it by hand in Binh Thanh, Ho Chi Minh City.
The archival canvas print shows the same image, printed rather than painted, so its surface is flat. Both versions come rolled, on a wooden stretcher, or framed.




The pavilion fills the canvas: a red upper storey with a round window, a carved red balustrade, and tiled roofs in terracotta orange whose curled ridge ornaments reach into the sky. Below, carved grey stone pillars carry the whole structure.
A large tree trunk with rough, sunlit bark and dense green leaves frames the pavilion. Behind it a blue sky is filled with white clouds in loose, visible brushstrokes, while a brick wall and a clipped hedge close the garden below.
Red and green sit opposite each other here, and the painting uses that contrast on purpose: the lacquer red of the pavilion glows against the leaf green around it, while the terracotta orange roofs link it to the warm bark and brick. The pale grey pillars give the eye a cool place to rest.
A tall upright format with strong red and orange needs a wall that stays quiet. Warm white, cream or soft grey lets the lacquer red of the pavilion lead, and a hallway or a study suits its upright shape and its steady, sunlit mood.
In a room with wood furniture, the terracotta roofs and tree bark echo the tones nearby, while the blue sky and leaf green keep the picture fresh.
The grey pillars carry pale relief carving along their faces, painted as soft light and shadow rather than sharp line. It reads as pattern and texture, and it gives the cool grey base a quiet detail.
The blue sky is busy with white clouds painted in loose, visible strokes. It brings movement above the stiff lines of the roofs and keeps the scene from feeling still.
The upper floor shows a round window with a dark opening, framed in red and set between carved panels. Little else is visible inside, so the red walls and the round shape stay the focus.
The trunk and leaves frame the pavilion without covering its main parts. The roofs, the red upper floor and the grey pillars all stay clearly visible beside the tree.
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