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Oil or canvas printA senior artist of our collective in Binh Thanh, Ho Chi Minh City, paints each oil painting to order. Canvas prints are printed, not painted.
2 to 4 weeksYou receive a photo of your oil painting before it ships and can ask for corrections.
100% satisfactionFree worldwide shipping. Your artwork arrives safely packaged.
5 to 7 business daysYour oil painting is only started once you order it, and one of the collective's senior artists paints it by hand in Binh Thanh, Ho Chi Minh City.
The archival canvas print shows the same image, printed rather than painted, so its surface is flat. Both versions come rolled, on a wooden stretcher, or framed.




The water is the quiet centre of this scene. Several round basket boats drift across it, each small and dark against the pale surface, and a few boats are drawn up near the sand. Soft peach and grey light lies over the bay, and the sky above is smooth and hazy.
Along the shore, thatched huts sit in a long row under palm trees. Figures in conical hats work beside baskets and nets on the beach, painted small enough to read as part of the village rather than as portraits.
A large tree with hanging roots and sage green leaves leans over the water, with a rough wooden fence running along the bank beneath it. Its dark, twisting trunks give the picture weight, while pale mountains in the distance fade into the sky with soft edges.
The brushwork is loose and visible in the leaves and the sand, and smoother in the sky and the water.
The palette is gentle: soft peach in the sky, sage green in the tree leaves and sandy beige on the beach, with dark brown in the trunks and boats. It suits a bedroom or a calm living room with cream, warm white or pale grey walls, where the sage leaves can pick up cushions or wood furniture.
The wide, landscape shape works well above a sofa or a bed. The open bay with its round boats and the row of thatched huts keeps the mood restful.
No. The figures in conical hats are small and softly handled, so they read as people at work by the baskets and nets rather than as individual portraits. Their clothes add small touches of colour to the sand.
It has dark, twisting trunks, long roots hanging down and clusters of sage green leaves. It stands above the water on the bank beside a rough wooden fence, and it is the darkest, heaviest shape in the picture.
It is smooth and hazy, shading from pale peach near the mountains to soft grey blue above. There are no strong clouds, so the sky stays calm and lets the boats and tree stand out.
No. The pale peaks fade into the haze with soft outlines, which gives the bay a feeling of depth without drawing attention away from the boats and the village.
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