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Oil or canvas printA senior artist of our collective in Binh Thanh, Ho Chi Minh City, paints each oil painting to order. Canvas prints are printed, not painted.
2 to 4 weeksYou receive a photo of your oil painting before it ships and can ask for corrections.
100% satisfactionFree worldwide shipping. Your artwork arrives safely packaged.
5 to 7 business daysYour oil painting is only started once you order it, and one of the collective's senior artists paints it by hand in Binh Thanh, Ho Chi Minh City.
The archival canvas print shows the same image, printed rather than painted, so its surface is flat. Both versions come rolled, on a wooden stretcher, or framed.




The largest egret takes up much of the upper scene, its wings open wide and its long neck reaching ahead of the body. Smaller egrets follow in the distance, all of them pale against the apricot sky, which fades to a deeper orange near the hills.
Below them, a winding earthen bank curves through the paddies, catching gold on its edge. Young green rice shoots stand in the flooded plots, and the water holds the glow of the sky.
The buffalo is the darkest shape in the picture. It wades through the pool with its curved horns lowered, and warm light touches its back. Its weight balances the airy white of the birds above.
The hills sit in deep purple, and the brushstrokes are loose and visible in the banks and grass, which gives the soil a rough, worn look.
The palette runs on apricot orange, white and deep purple, so the picture suits a wall in cream, warm beige or soft grey. It works well in a living room, where the orange sky can pick up wooden furniture or terracotta tones.
The square format gives the egrets room to fly without crowding the buffalo, and keeps the scene balanced.
Yes. Young green shoots stand in rows in the flooded plots, mostly along the curving bank. They are painted with short, soft strokes, so they read as fresh green accents among the brown soil.
It is the darkest shape in the scene, so it stands out from the water around it. Warm light on its back separates it from the shadow, and its curved horns are visible against the pool.
The largest egret is drawn with clear feathers along its open wings and a visible beak. The others, farther away, are softer and simpler, which gives the sky a sense of depth.
No. The hills are painted as broad purple masses with little detail, and they stay quiet behind the birds so the eye goes to the egrets and the buffalo.
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