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Oil or canvas printA senior artist of our collective in Binh Thanh, Ho Chi Minh City, paints each oil painting to order. Canvas prints are printed, not painted.
2 to 4 weeksYou receive a photo of your oil painting before it ships and can ask for corrections.
100% satisfactionFree worldwide shipping. Your artwork arrives safely packaged.
5 to 7 business daysYour oil painting is only started once you order it, and one of the collective's senior artists paints it by hand in Binh Thanh, Ho Chi Minh City.
The archival canvas print shows the same image, printed rather than painted, so its surface is flat. Both versions come rolled, on a wooden stretcher, or framed.




The glossy red jacket is the strongest note here. It has bright folds that catch the light, and above it sits a black cap. The figure is anonymous, turned toward the altar, so the eye follows the red up into the shrine.
Around the figure, the dark brown wood wall and the black cabinet with pink floral inlay hold the colour in. The brass incense burner and the brass candle stands glow gold, and the tall red candles carry small flames.
The blue and white vase with a dragon is the cool spot in a warm picture. Tall orange flowers with green leaves rise from it, and a plate of fruit sits nearby. Behind them, panels with soft pink blossoms add a quiet pattern.
Brushwork looks loose and visible in the jacket and the wall, while the vase and the brass are drawn more tightly. Up close you can look at the floral inlay and the glow of the metal.
From across a room, the red jacket reads first and the dark wood wall behind it gives the picture weight. The tall upright format suits a narrow wall, a hallway or the space beside a door.
The deep brown and red work best against warm cream, pale grey or soft sage walls, which let the black cabinet and the brass stay clear. A study or a dining room fits its calm, formal mood.
They are tall orange blooms with long green leaves, set in a blue and white vase with a dragon. They are the brightest warm accent next to the red candles and jacket.
No. The figure is anonymous and turned toward the altar, with a black cap and a red jacket. The attention stays on the clothing and the shrine in front.
The wall and cabinet are deep brown and black, but the brass, the candle flames and the red jacket give clear bright points, so the picture stays warm rather than gloomy.
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