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Oil or canvas printA senior artist of our collective in Binh Thanh, Ho Chi Minh City, paints each oil painting to order. Canvas prints are printed, not painted.
2 to 4 weeksYou receive a photo of your oil painting before it ships and can ask for corrections.
100% satisfactionFree worldwide shipping. Your artwork arrives safely packaged.
5 to 7 business daysYour oil painting is only started once you order it, and one of the collective's senior artists paints it by hand in Binh Thanh, Ho Chi Minh City.
The archival canvas print shows the same image, printed rather than painted, so its surface is flat. Both versions come rolled, on a wooden stretcher, or framed.




A figure in a conical hat holds a ladle over a pot covered with white cloth, and steam curls up beside the brick hearth where wood burns. Behind, tall bamboo racks lean against the walls, each carrying round cream sheets of rice paper.
Another figure in a conical hat walks across the cobbled ground with a rack of discs. Clay jars and woven baskets crowd the edges of the yard, and terracotta tile roofs catch the warm light above.
Amber and orange dominate the cobbles, jars and roofs, while the cream white of the rice paper gives the brightest notes. Cool teal in the wall and the dark clothing steadies all that warmth. The brushstrokes are loose and visible, so the cobbles and the steam read as soft patches of colour.
The amber and cream palette would sit well in a kitchen or dining area with pale plaster or light greige walls, where the teal can echo a cushion or a bowl. The many pale discs keep the scene light, and the amber glow warms a plain surface.
They are sheets of rice paper, painted as pale cream discs set row after row on tall bamboo racks. They are the lightest part of the picture and stand out against the amber walls and tiles.
Most of it. Amber and orange fill the roofs, cobbles and clay jars. Cooler teal appears in the wall and in the dark clothing, so the warmth never turns flat.
Yes. It rises as pale grey and white curls beside the pot, set against dark doorways and baskets. It is drawn loosely, in soft strokes rather than sharp lines.
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