Collection

Culture & Traditions Wall Art of Vietnam

Ao dai, silk weavers, lantern makers and rice harvests, painted in oil across Vietnam

Hand-painted oil paintings or archival canvas prints of Vietnamese craft and daily life

26 artworks

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Culture and traditions wall art of Vietnam shows people at work and in motion: a figure in a white ao dai walking a bicycle past a golden wall in Hoi An, women embroidering silk panels in Da Lat, and a herder wading through floodwater with a crowd of ducks in the Mekong Delta. You can take any of these as a hand-painted oil piece, or as a printed archival canvas of the same image.

Craft scenes with hands at work

Several paintings stay close to the workbench. In one, a woman ladles batter over a steaming pot while round rice paper sheets dry on bamboo racks in a sunlit courtyard. In another, a weaver works at a wooden loom with hanks of dyed yarn hanging behind her. Craftsmen in conical hats shape a wooden hull in the rain under a thatched roof, lit by a single lantern. Lantern makers in blue and red tunics work among spools of thread in Hoi An. Vietnamese Crafts holds all of these craft scenes.

Ao dai, conical hats and city walls

The ao dai appears in very different settings. A figure in yellow walks among rust-orange iron girders at Long Bien Bridge in Hanoi, with a blue cloudy sky between the beams. A figure in red rests beside dark red wooden doors on worn stone tiles. Two figures in peach and green move along a path before a cream palace and a bright lawn in Saigon. Women in long ao dai bend over silk panels in a grey Da Lat workroom. More of these are gathered in Áo Dài.

Rivers, terraces and village life

The landscapes carry daily life in them. A figure in a conical hat stands on a bamboo Monkey Bridge over a misty canal at dusk. Farmers cut ripe rice and carry sheaves along a curving terrace path under blue hills. Hmong market stalls of folded cloth and woven baskets sit under a cloudy sky in Sapa. Round boats float on a pale fishing bay below thatched huts. The Mekong views also hang in Mekong Delta.

Colour on the wall

The palette runs from the red of the lacquer workshop and the temple pillars, with their bronze burners and blue-white smoke, to the grey and blue of the embroidery room. The amber sunset of the duck herder sits well on a pale or white wall, while the grey and teal of the rainy boat builders suit a calmer corner. The Hoi An lantern street brings red, orange and green over deep blue, and its neighbours live in Hoi An.

Frequently Asked Questions

Which traditional crafts do these paintings show?
They show rice paper making, silk weaving, silk embroidery, lantern making, red lacquer polishing and wooden boat building. The weaver works at a loom, the lantern makers work among spools and bamboo strips, and the lacquer workers work among trays and boxes.
Can I find ao dai paintings set in Hanoi?
Yes. One shows a figure in yellow among the iron girders of Long Bien Bridge, and another a figure in red beside dark wooden doors. Both sit among the works of this page.
Which paintings suit a quiet, muted wall?
The grey silk embroidery workroom in Da Lat and the rainy boat builders in teal and grey are the softest in tone. The Hoi An lantern street and the red lacquer studio are the strongest in colour.
Are there rural scenes as well as craft scenes?
Yes. The duck herder in floodwater, the rice harvest on terraces and the Hmong village above its terraces show rural life with no workshop in sight.