Office Wall Art of Hanoi and Hoi An

Vietnamese landscapes and street scenes fill this office wall art: a Hoi An riverside at dusk, a Hanoi Old Quarter street leading to a grey church, egrets lifting over flooded rice fields, and a Saigon street table set with pork chop rice. Every image comes as a hand-painted oil painting or as an archival canvas print.

Dusk water, autumn leaves and worn yellow plaster

One Hoi An river scene lines ochre houses and a tree full of orange blossom along the water, with boats lined up by the teal river and a crowd of small figures on the promenade under a pink sky. It suits a wall with plenty of white around it.

The Hanoi pieces are more architectural, and they also hang in Landmarks & Architecture. In one, a grey church facade rises at the end of a street crowded with cars, a cyclo and a gathered crowd, while orange autumn leaves hang in the branches and colour the fallen leaves across the road. Another shows a sunlit yellow facade with a dark wooden double door, curling ironwork and barred windows framed by open grey-green shutters, the plaster worn and patchy and the brushwork loose. The yellow sits well against a grey or off-white office wall.

Paddies, buffalo and koi for a calmer wall

Several landscapes suit a desk that faces a quiet wall. In one, a farmer in a conical hat wades a flooded rice field at sunrise beside a dark buffalo; the water holds lavender reflections, the young shoots are lime green and misty hills close the view. Another has white egrets lifting and wading over flooded paddies, a figure in a conical hat following a dark water buffalo beneath a peach and lilac dusk sky.

A koi painting brings more colour: red and golden carp swirl around a single black fish in turquoise water, and pink and white lotus run along the top edge.

Food, tea and craft for a break room

Some works are close-up and domestic. A white bowl of pho steams in the foreground beside a plate of basil and lime, with diners at a long table and motorbikes passing on a wet, lantern-lit street. In a Saigon street scene, a plate of rice carries a fried egg and a glazed pork chop; a teal mug stands on the worn wooden table and motorbikes blur in the sunny street beyond. Another painting fills a yard with steam, where a figure in a conical hat works at a cloth-covered pot over a wood fire, with round sheets drying on bamboo racks in low amber light; it also hangs in Daily Life.